Radio Show – Episode 15 – A Wondrous and Spooky Samhain – October 30, 2016

Enjoy some musical fun and magic, as we celebrate the Celtic festival of Samhain (pronounced “SOW-wen”). If you love the Celtic harp, you’ll be pleased to hear a number of creative and lively harp pieces in today’s show.

12:01: Loreena McKennitt – Samain Night
12:05: Damh the Bard – Samhain Eve
12:15: Margot Krimmel and Laura Melling – Once Upon A Time
12:17: Spookytree – Abbots Bromley Horn Dance
12:20: Sileas – The Dusty Windowsill
12:28: Anne Roos – A Bruxa (The Witch)
12:33: Ruaidhri – Castlerigg
12:33: Two tales from Folk Tales from Wales
12:39: Solas – Am I Born to Die     **added to the 2019 edition of this show**
12:42: Cynthia Artish – Angry Birdz
12:45: Kristen Lawrence – Souling Song (Samhain Version)
12:54: Caravan of Thieves – Raise the Dead

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Show15-180dpiFormat: “Track Title” – Artist (CD Title)

“Samain Night” – Loreena McKennitt (Parallel Dreams)
A beautiful piece with harp by the mistress of musical magic herself! Loreena’s music is perfect for this episode.

“Samhain Eve” – Damh the Bard (The Hills they are Hollow)
Another heartful piece by Damh the Bard that brings the listener into lore and magic of Samhain.

“Once Upon a Time” – Margot Krimmel & Laura Melling
A sweet, poetic expression of harp and storytelling. Laura’s lovely voice and words, and Margot’s masterful harp playing carry the listener into pure enchantment.

“Abbots Bromley Horn Dance” – Spookytree (On a Snowy Eve)
Abbots Bromley is a village in Staffordshire, England which has a yearly folk dance where six dancers wear reindeer ‘horns’ that date back to the 11th century, and may have been imported from Scandinavia. Historians speculate about the origins of the dance, but it seems likely to me that it was originally performed ceremonially, to encourage a successful hunt.

In this version, Deb and I play on nylon- and wire-strung harps. Listen for Deb’s “ghost” wire-strung harp at then end!

“The Dusty Windowsill” – Sileas (Harpbreakers)
Any inspired moment is an opportunity for creating a tune. Here Patsy Seddon (electric harp) and Mary MacMaster (wire-strung harp) find wondrous inspiration, taking a dusty windowsill to a realm beyond imagining.

Information about the tune, posted 14 years ago on The Session website:

The Dusty Windowsills was written by a man in Chicago, Illinois by the name of John Harling, it is NOT a traditional tune because the man is very much alive, he is in his 40s.

HOW THE TUNE GOT IT’S NAME: one day John was looking for something in his friend’s appartment basement, and this tune popped into his head. He looked everywhere for something to write with and on. He came across a window with a layer of dust on it, and started to write it down, so that later he would come back and write it down on a piece of paper. Isn’t that interesting…? Once again the man’s name is JOHN HARLING…I know all of this because I am his 15 year old daughter…

“A Bruxa (The Witch)” – Anne Roos (A Light in the Forest)
A beautiful piece by Anne. This is a witch I think I’d enjoy meeting in the greenwood!

Ruaidhri – Castlerigg (Celtic Landscapes) – music

Robin Gwyndaf of the Museum of Welsh Life (Welsh Folk Tales) – tale
This bilingual book narrates legends and traditions, placing them in physical locations in Wales. In fact, for the publication of this book, an illustrated map was commissioned in which Margaret D. Jones that depicts images from these tales in their locations.
Against the backdrop of “Castlerigg” I read aloud fairy folklore from “Aberdyfi, Gwynedd” and “Gilfach Fargoed, Mid Glamorgan.”

“Angry Birdz” – Cynthia Artish (Beyond all Telling)
A year before the famous game by the same name was published, Cynthia had a frustrating experience with a software company that fueled her to play her harp in a different way. This piece is a result of discovering that harp can effectively express her edgier emotions.
Cynthia put jute twine through all the strings to get the special effect that takes the harp out of the “pretty” realm.

Cynthia has sheet music available if you’re a harper interested in playing this piece. It’s a fun piece for harp groups to play as well! Visit her website to find out about it.

“Souling Song (Samhain Version)” – Kristen Lawrence  (A Broom with a View)
Kristen is an organist, composer, and singer who loves Halloween. In fact,her music-creation focuses on creating Halloween Carols(tm) that are fun and charming. This is one!

“Raise the Dead” – Caravan of Thieves (The Funhouse)

Caravan of Thieves is a gypsy-swing folk band based in Connecticut. Head over to Youtube to watch the video of this song. Discussing the video, Fuzz Sangiovanni (who with his wife Carrie Sangiovanni are the core of the group) told Spinner.com:

“We like writing songs about ghosts and afterlife, but this was the first one that had a big communal sing-along, clap-along feel to it. It needed to be, since it’s about throwing a big party for all the deceased and honoring them for their life’s achievements. We perform it live this way, get off stage, unplug completely, get the crowd to surround us, and stomp, clap and sing along. We recorded it this way for the album and made a video with the same feel, in a really old theater and cemetery.”

What a wonderful concept: in the coming week or two, let’s all throw a party for the dead and celebrate them! Thank you to Mark Morey for introducing me to this song and this band. (By the way, Mark is a special guest on our next show, “Ancestral Land.”

Radio Show – Encore: Selkie – October 17, 2016

Dear Listeners of Forest Halls Celtic,

Due to a variety of factors, I won’t be airing a new program today. Instead, in honor of the rains and the supposed storm that was going to cause so much mayhem and upheaval, and which is definitely dumping a lot of water onto our little corner of the world, I am re-airing one of my favorite episodes. Please enjoy Show 11, “Selkie.”

Please join me live on the 5th Sunday, October 30 – 12noon-1PM PST a special show in honor of the Celtic festival of Samhain and Halloween!

~

The legends of the Selkie – remarkable people who are seals in the sea and humans on land – are haunting, often sad, and strangely compelling. Today we take a deep dive into the music and magic of the Selkie with tales and songs arising from the coasts and islands of Scotland and Ireland, and the Orkney and Shetland Islands, as well as some contemporary expressions.

12:00: Spookytree – Lochaber No More
12:02: Carolyn Allan, Jenny Keldie, Phil Cunningham – The Great Selkie of Sule Skerry
12:05: Kim Robertson – The Selkie
12:08: Heather Dale – The Maiden and the Selkie
12:16: Jean Redpath – The Song Of The Seals
12:20: Patrick Ball – The Seal
12:23: Mason Daring and the Secret of Roan Inish – The Roan Inish Theme
12:25: Mason Daring and the Secret of Roan Inish – Fiona Explores
12:30: Seamus Byrne – Ocean Surf
12:37: Anne Roos – The Mermaid’s Tears
12:43: Mary McLaughlin – Sealwoman-Yundah
12:47: Knodel and Valencia – The Fisherman’s Song for Attracting Seals
12:55: Tori Amos – Selkie

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Program notes coming soon!

Radio Show – Episode 14 – Creative Fire – October 2, 2016

In this episode we enjoy the golden light of autumn as we sit with our “Creative Fire.” Here we’ll find tales, tunes, and songs filled with the fire of the poet’s initiation, the love of the land, the Otherworld, and flat out musical fun.

02:12 Niamh Ni Charra – Cailleach An Airgid
05:00 Altan – Comb Your Hair and Curl It
08:42 Kathryn Tickell – Lads of Alnwick / Old as the Hills
15:19 Martin Hayes & Dennis Cahill – The Mountain Lark / Tom Doherty’s Reel
18:51 Mary Black – Song for Ireland
25:04 Pádraigín Ní Uallacháin – The Incantation of Amergin
30:36 Jami Sieber – A World Behind the World
40:13 Priscilla Hernandez – Leaves Never Settle in the Wind
42:35 Cernunnos Rising – Heartbeat of Harvest
44:52 Past Tense – Soundscape of Relaxing Nature Sounds
45:44 Knodel and Valencia – Willafjord
49:00 Silly Wizard – Queen of Argyll
52:23 Sharlene Wallace and Kim Robertson – Comb Your Hair
57:22 The Harp Twins – White Wedding

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Format: Track Title – artist (CD Title)

“Cailleach An Airgid” – Niamh Ní Charra (Súgach Sámh / Happy Out)
Translated as “The Hag with the Money,” this is a traditional sean-nós song from Connemara. Catch the video on Niamh’s site or on Youtube. A fun twist to what could be a harsh song about a young lad after an old woman’s money.

Chorus
She is your granny, she is your granny
She’s your granny, the hag with the money …
Do you reckon he’d marry, do you reckon he’d marry
Do you reckon he’d marry the hag with the money?
I know he’ll not marry, I know he’ll not marry
‘Cause he’s too young and he’ll squander the money

Chorus

We’ll soon have a wedding, we’ll soon have a wedding
We’ll soon have a wedding, by two in the village
We’ll soon have a wedding, we’ll soon have a wedding
Between Sean Seamais Mhoir and Maire Ni Chathasaigh

“Comb Your Hair And Curl It / Gweebarra Bridge” – Altan (25th Anniversary Celebration)
Irish folk group Altan plays a slip jig followed by a reel. Come Your Hair and Curl it? In Celtic music you can create a tune around just about anything!

 “Lads of Alnwick/Old as the Hills” – Kathryn Tickell 
I love the unison at the beginning of the set of Kathryn on the northumbrian pipes and Julian Sutton on the melodian, perfectly in tune.

“The Mountain Lark/Tom Doherty’s Reel” – Martin Hayes & Dennis Cahill (NPR Music Tiny Desk Concert)
As the set progresses, maybe you can feel how these two musicians drop deeper and deeper into the music and into the sensory world it’s creating. It’s a place where, as a musician, where your jaw becomes slack and it’s just you and the music and your instrument, and the sound all around. You might even find yourself drooling, you’re so into it. Martin and Dennis don’t do that – drool that is, but in the video you get that sense of going deeper and deeper into the music – at least, that’s how I feel listening to it.

“Song for Ireland” – Mary Black (Song for Ireland)
For the last quarter-century, singer Mary Black has been a dominant presence in Irish music, both at home and abroad. She has shared stages, tv shows and recording studios with some of the most revered performers of her time. She has also played a frontline role in bringing Irish music, past and present, to an increasingly appreciative and ever-growing global audience. The San Francisco Chronicle has described her as “One of the best interpretative singers around”. To me, her “Song for Ireland” captures the creative fire that one’s place – the very land itself – can ignite in our hearts.

The phrase “the fire in the head” refers to a visionary experience or poetic inspiration of a consuming nature. It appeared in “The song of Amergin”, a mystical poem spoken by Amairgen Glanglun, a bard from Irish legend, as he first stepped foot upon the land of Ireland, on the shores of Kenmare Bay. We’ll hear now a setting of this poem to music by Pádraigín Ní Uallacháin, including the poem spoken in Irish Gaelic.

“The Incantation of Amergin (Am Gaeth I M-Muir)” – Pádraigín Ní Uallacháin (Song of the Scribe)

Pádraigín has been recreating the ancient tradition of sung poetry by composing airs in the traditional style for early Irish poetry, medieval Irish poetry, Bardic poetry, traditional songs and new songs in Irish and poetry in Irish and English including works by leading Irish contemporary poets such as Ciarán Carson, Seamus Heaney, Nuala Ní Dhomhnaill, Biddy Jenkinson, Michael Hartnett, and also earlier works by W. B Yeats, Olav Hauge, Fearghal Óg Mac an Bháird, Fear Flátha Ó Gnímh, Eoghan Rua Mac an Bháird among others.

She is accompanied here by Helen Davies on harp.

“A World Behind the World” – Jami Sieber (Timeless)
“The Song of the Wandering Aengus” Poem by William Butler Yeats,
“The Tale of Taliesin” Text and retelling by Jen Delyth (Celtic Folk Soul: Art, Myth and Symbol)

Against the backdrop of Jami Sieber’s atmospheric composition for cello and voice, we take a deep dive into visionary and poetic fire with W. B. Yeat’s quintessential poem as well as by way of Jen Delyth’s commentary and tale of the transformation of the boy Gwion Bach into the legendary Welsh bard, Taliesin who lived in the sixth century.

Electric cellist, vocalist, and composer, Jami Sieber will be performing
Friday, Oct 14, 7:30 PM
Vashon High School Theater

Tickets are available at Vashon Intuitive Arts, Vashon Bookshop; online at Brown Paper Tickets
Sponsored by Woman’s Way Red Lodge.

“Leaves Never Settle in the Wind” – Priscilla Hernandez (Incantations)
A lovely song for Autumn.

“Heartbeat of Harvest”- Cernunnos Rising (Wild Soul)
… and another song honoring the Harvest.

“Willafjord” – Knodel & Valencia (Forest)
When Deb and I work up music together, we pull from any manner of inspirations. With this Shetland tune, were reminded of Harry Bellafonte’s “Jamaica Farewell.” That piece inspired our choices of a calypso style rhythms, and a “steel drum” sound and some strumming on our harps. We had the great pleasure of performing a trio version of this piece with Kim Robertson at the International Society of Folk Harpers & Craftsmen Conference held in Vermont in 1994. Kim is an absolutely inspiring, fun, and generous harper, and I count the experience of our working up “Willafjord” with her and us performing it as among the “highs” of my harp career. That conference in Vermont was memorable in other ways: At that time, I was 8 1/2 months pregnant with my first child!

Deb Knodel, by the way, will be performing a house concert on Saturday, Oct. 15. at 6:30pm. If you’re in the Bay Area, do think about attending! Deb is a harper who possesses creative fire indeed. She has been working on some pretty blazing arrangements these past few years, and she is a just plain fun and friendly individual. You will definitely enjoy yourself if you attend. Email me if you want more information: fhceltic ‘at’ gmail.com

“Queen of Argyll” – Silly Wizard (Kiss the Tears Away)
One of my favorite songs from renowned Scottish band Silly Wizard

“Comb Your Hair” – Sharlene Wallace and Kim Robertson (Q & A)
Another version of “Comb Your Hair” by two harpers who know how to create and play some intricate and awesome arrangements. I’m always inspired by Kim, and Sharlene is fabulous too!

“Lochaber No More” – Spookytree
Thank you to you all for joining me in Forest Halls. A special thank you to my husband Andy Valencia for providing behind the scenes technical support. Our 29th anniversary is coming up,  and in honor of that I finish the show with a cover of a song we danced to at our wedding. This piece is decidedly not Celtic. It’s performed on pedal harp and electric harp by a pair of identical twins who have something like 75 videos of their covers of famous pieces, in which they dress alike (different costumes each time) and play with a flourish. This is Billy Idol’s “White Wedding”, arranged and performed by the Harp Twins, Camille and Kennerly Kitt.

“White Wedding” (Billy Idol) – The Harp Twins – Camille and Kennerly
Fun harp stuff here, with pedal effects from the electric harp and soundboard drumming on the pedal harp.