It is full-on spring, and we’re soaring into the vibrant landscape of Celtic music. Today’s show features tunes and songs from a variety of styles: traditional, chamber Celtic, English folk rock, contemporary and fusion, and then flies out into a bit of jazz and beyond. Enjoy!
12:01: The Cast – The Duke of Gordon’s birthday-London Lasses-Da Eye Wifie-The Fyrish Reel
12:04: Steve Baughman – Bonnie Prince Charlie
12:06: Omnia – Eleanor Plunkett
12:09: Abby Newton – Sister Jean
12:14: Steeleye Span and Sir Terry Pratchett – Band of Teachers
12:18: Moving Cloud Orchestra – Moon & Seven Stars-Scatter the Mud-Three Peas in a Pod
12:22: Valerie Rose – For Your Love
12:27: The Casey Sisters – The Earl of Cork’s Allemand
12:29: The Casey Sisters – The March from Irishtown
12:31: The Casey Sisters – The Bandonbridge Hornpipe
12:33: Quadriga Consort – Cliffs of Dooneen
12:35: Seamus Byrne – Track 1 from Forest and Streams,
and Poem: “The Wandering Aengus” by W. B. Yeats
12:39: Solasta – The Cowslip Set
12:45: Jamie Leeming – Heartsong
12:50: Kate in the Kettle – Push and Spark
12:54: Karine Polwart – King Of Birds
12:58: Spookytree – Lochaber No More
I am sitting with the children at the lunch table at Heartstone School, the farm preschool where I teach once a week. It is full-on spring, and the children are full of the life of it. They are mischievous and chatty. While this is the time for Quiet Lunch – several minutes when we focus on enjoying our meals – the lively spirits of one and all suggest that a Quiet Lunch will be a challenge!
To support a Quiet Lunch, one of the instructors usually tells a brief tale about a nature experience she’s had. It’s my turn, but luckily, I have a spicy true-life tale. And, though this isn’t always the case, today I have a perfect hook.
“When we’re all quiet, I’ll tell you a story that happened just yesterday.”
I pause to give them a chance to register what I’m saying, and also to create and invoke – in a simple way – the Storyteller’s Space. If I’d had my harp with me, I would have strummed it, or played a chord. If I’d had a shaker, rattle, or drum, I might have shook or struck it.
But this is the lunch table, and not a full on storytelling session. Even so, I use the pause in my speech to enter into the space and bearing of a storyteller, the space where all words that follow are the path into the woods and into the shared experience of a tale. The space where a personal experience steps outside of itself and becomes something larger, something that belongs not just to me now, but to us. The space that becomes an invitation.
“When it’s quiet, I’ll tell you what happened with the fairies in my forest.”
Immediate and expectant silence! All of the children are listening. I then tell a story that really happened in my woods the day after Mother’s Day, a tale that involves a lost treasure, a rodent cemetery, the vibrant listening aliveness of the forest, a conversation with the fairies and … the fairies’ response. (Yes, I intend to share the story on this blog!)
If I had been telling with a harp, I might have strummed to indicate the breeze, played harmonics for water droplets, or played a few notes to indicate birdsong. I might have struck rich chords – in ninths perhaps, or a G major chord in one hand and a D minor in the other – to indicate the lushness of the springtime plant life. I might have played dissonant chords and quickly damped them for some of the more startling things I discovered (the rat cemetery!). I might have played snippets of a fairy tune – say, Turlough O’Carolan’s “The Fairy Queen”–just a couple of measures — at various times through the tale to suggest the enchantment, and perhaps played the whole tune at the end of the tale.
Other instruments could have been just as effective and evocative: recorders and flutes, percussion, a song. One could easily play with sound that musically suggests sorrow, regret, shock, wonder, beauty – the emotional terrain of the tale.
But a storyteller’s voice can be enough. And that’s what I have for this telling.
I tell the tale, bringing myself as much as I can into the feelings and landscape of my experience, and doing what I can to bring my listeners into those places too. Then I finish.
Now, I make space for the kids to ask questions and share their own stories and wonderings, all of which had been bubbling up during my telling. Questions about the rodent skulls, a sharing about their own experiences with fairies – anything is fair game if it has to do with the story.
This is a great time too for adults to ask questions or to voice some of their observations, which is what we instructors — here at Heartstone and also at the Vashon Wilderness Program where I also teach — do for each other when we tell stories to the kids. It’s a way to model questions that dig into the story, or even – as in cases of personal stories — into the teller’s memory.
Stories told to children can inspire, suggest, teach, captivate, and so much more. When we share stories with children, we are engaging in a timeless technology that is part of our humanity. Even more, we’re sharing connection, a special time that can allow for listening deeply to one another.
Telling stories to children and listening to their stories in turn is a magic that goes back to our human beginnings. And it is a magic in which we can all partake. It’s natural for us to do so.
In the coming series of blog posts, I’ll dig deeper into these elements of telling, especially to kids. If you’re a parent, grandparent, educator, or one who works with kids, you’ll find tips for telling stories to children, and, I hope – encouragement to do so. If you’re a harper or other musician, I’ll offer ways in which you can weave your music into your storytelling, the better to draw the listener into the fabric of your tale.
And if you are a storyteller already (actually, to be human is to be a storyteller!) then maybe something in these articles will offer an additional perspective or idea. Even more, I hope these posts inspire you to share from your experience and expertise. We can all learn from each other!
And now, dear reader, over to you.
Do you tell (formally or informally!) stories to children? In what circumstances do you find yourself telling stories? Is there a recent telling that was particularly meaningful to you? Please share about it in the comment box below!
The beginning of May is the flowering time of year, when life is full on in every way. In this show we’ll immerse ourselves in the human experience of life, loss, and love.
12:01: Solas – The Wind That Shakes the Barley
12:03: The Poozies – Ma Plaid / Freya Dances
12:13: Goitse – Boodlin’
12:17: Lunasa – Lady Ellen
12:20: Christine Primrose – Coinnichidh mi gleann an fhraoich (When The Evening Mist Comes Swirling Near)
12:23: Dougie MacLean – Home
12:29: Sharlene Wallace – Air
12:32: Quadriga Consort – Miss Noble (Turlough O’Carolan)
12:37: Julie Fowlis – Lon-dubh (Blackbird)
12:43: Lady Maisery – Order and Chaos
12:46: Songs of Separation – Echo Mocks the Corncrake
12:52: Beoga – Eochaid
12:57: Ed Sheeran – Galway Girl