In Dark Times Nature is our Ally

Snow Drop Magic – photo art by Jane Valencia

No question: we live in difficult times.  Now more than ever, we must safeguard the kindness, beauty, strength, and whole nature values the reside in our lives and in our families. It is vital that we take care of ourselves and shelter where we feel joy and lovingkindness. It is vital that we laugh and have fun! Self-care is as important as taking action in whatever way works for and is important to us. We each carry a flame of the dream of a world that is abundant, generous, connective, loving, strong and beautiful in its diversity, and welcoming to all.

Our human family knows how to be welcoming of each other, and in harmony with the natural world. We know in our DNA the importance of sharing our gifts for the good of all, and of nurturing and welcoming the gifts of others, and the gift that is the other. We know in our genetics that we need to be in dialogue with the nature and Spirit that is all around us and within us — that we are part of a much larger conversation, and not separate from anything. In these times we need to reclaim what has been forgotten, and enlarge our sense of humanity beyond our family and “tribal” groups.

Our ancestors may have known themselves to be interwoven with place, members of the family of it, but may have regarded other human groups as enemies, other, and perhaps not even fully human. At this time in the evolution of our mother Earth and her children, we are all being called to enter another stage of our life cycle — a more generous and regenerative one.

We, the human family, are being asked to truly open to the relevance and necessity and astonishing beauty that is the diversity of the human family, the diversity of nature — from microbiome to macrocosm, and to a new way of being that is both strong and respectful, active and nurturing. We all need to be offering our big hearts and bright minds, imagination, curiosity, and more, if humanity is to be included in Life’s continuing adventure and unfoldment.

Life is creative and will always find new ways to continue. How incredible if we humans come together, finally. What might the future look like for our children, our great-grandchildren, their great-grandchildren? What might it look with our human people in everyday conversation and a giving-and-receiving relationship once more with the earth, animals, plants, winds, moon, sun, stars, tiny ones, Mystery?

Let’s start by both taking care of ourselves in these troubled times, and by envisioning magic — the miracle that is possible on this earth, and in so many ways is actually alive right now. And let’s plunge deeper into the magic that is our natural world and biological-emotional-mental-spiritual whole nature.

Here are three resources to help you:

Blog post – “How to Avoid Being Psychological Destroyed by your Newsfeed” by Ann Douglas – some great tips for self-care and doing what you personally can during these times

Blog post: “Shadow Work is Active” by Asia Suler – a mythic look about where we are and specific actions you can take 

Video – “Mother Trees” from the forthcoming documentary Fantastic FungiNature wants to heal itself, and can create change very quickly. Since we humans are nature too, I’m very hopeful. In this dark time of humanity, what might happen if we consciously ally with Nature, with nature’s own activity and rhythms? There are so many ways this may look … How does this look for you?

How are you sheltering yourself and your family? How are you taking action, networking, serving in small, sustainable, life-giving ways to create the change we so desperately need?  How are you — or might you — turn to your relationship with Nature for healing, alignment, strength, and inspiration?  For shelter?

In these challenging times, Nature both nests and nurtures us, and offers creative ways forward.

Please share your stories below!

Thank you for the gift of you!

A Wander into the Green Chapel

I first met this middle English poem, Sir Gawain and the Green Knight, when I was studying the History of the English Language and Medieval Literature in college. Soon after, I studied the medieval Welsh tales, The Mabinogi, and I was struck by the similarity of themes and motifs in the first part of the First Branch, Pwyll Pendeuic Dyfyd with some that appeared in Sir Gawain and the Green Knight.

The lord of the Otherworld/the Green Man, the Beheading Game, the Hunt, the intelligence of nature … images and snippets of tales from these two pieces wove themselves into my soul or found resonance in it. The original version of my children’s fantasy novel, Because of the Red Fox, was closely sourced from Sir Gawain and the Green Knight. In working on that first version, I longed to walk the terrain of Sir Gawain and the Green Knight, specific as it is in the poem, and discover for myself the Green Chapel (though I was not keen to meet up with the Green Knight and face a potential beheading!).

Decades later, poet Simon Armitage — who created a masterful poetic translation of Sir Gawain and the Green Knight — created a documentary about seeking the landscape of the poem. As I watch the last section, in which he enters the Green Chapel, I’m stunned to discover how the landscape closely resembles what I’d imagined for my original tale.

About the documentary:

“Poet Simon Armitage goes on the trail of one of the jewels in the crown of British poetry, Sir Gawain and the Green Knight, written about 600 years ago by an unknown author. The poem has got just about everything – it is an action-packed adventure, a ghost story, a steamy romance, a morality tale and the world’s first eco-poem. Armitage follows in the footsteps of the poem’s hero, Gawain, through some of Britain’s most beautiful and mystical landscapes and reveals why an absurd tale of a knight beheading a green giant is as relevant and compelling today as when it was written.”

Here is a link to some of my writings, stories, and art related to the Green Man and entering the realm of wild nature.

… and here is a snippet of Deb Knodel’s and my Forest show, which begins with a meeting with the Green Man.

Just thought you’d enjoy a ramble into the mystery of the turning of the year and the greenwood!

Radio Show – Episode 16 – Ancestral Land – November 6, 2016

Many of us who love Celtic music are drawn to something within the music itself that speaks strongly of an ancestral knowing that we recognize or for which we yearn — an expression that is ultimately sourced from a people’s intimate and profoundly interwoven relationship with the earth herself.

Our special guest for this episode is Mark Morey – a leader in the work of helping people, groups, and organizations build healthy community through deep connection with nature. Of Irish descent, a musician himself, and as one who is involved with Standing Rock, Mark brings us potent insights regarding regenerative community, the power of music, ancestral longing, and the meaning of these wellsprings for us. Please join us.

12:01: John O’Donohue – The magic of perception
12:04: Alan Stivell – Gaeltacht
12:08: Seamus Byrne – Track 1
12:09: Mark Morey – Interview
12:14: Mark Morey – Come by the Hills
12:19: Mark Morey – Interview
12:21: Knodel and Valencia – Calling of the Cows
12:27: Mark Morey – Interview
12:36: Ffynnon – Hiraeth Am Feirion
12:38: Seamus Byrne
12:40: Mark Morey – Interview
12:51: Andy M. Stewart, Phil Cunningham, Manus Lunny – Treorachadh-I Mourn For the Highlands

Your host is Celtic harper and storyteller Jane Valencia.

Listen to the latest show on demand.

Show16-140dpi

Format: “Track Title” – Artist (CD Title)

“The Magic of Perception” – John O’Donohue (Beauty: the Invisible Embrace)
John O’Donohue was a much beloved Irish poet, author, and philosopher. His writings on Celtic spirituality captured popular imagination. He passed away in 2008 at the age of 52, and many, many people around the world mourn him still. I love this piece, which cheerfully expresses how the land might love us.

“Heman Dubh” – an excerpt from “Gaeltacht” – Alan Stivell (Renaissance of the Celtic Harp)

Here we enjoy Breton harper and composer Alan Stivell on wire-strung harp. “Gaeltacht” is a suite of traditional tunes from the Gaelic speaking lands of Ireland, Scotland, and the Isle of Man, and the piece played here is “Heman Dubh,” a Hebridean work song. Alan Stivell’s Renaissance of the Celtic Harp, an album from 1972, helped fuel a revival of Celtic folk music, and inspired a generation of people to take up the harp, including myself. Stivell’s music in particular also served to ignite the return of Breton music and regionalism to France, restoring the Breton harp to Brittany after its absence since before the French Revolution in 1789.

I’m delighted to feature an interview on today’s show with cultural change agent and musician of Irish and Scottish origin, Mark Morey. Mark was on Vashon two weeks ago, and we recorded the interview at that time.

“Interview: Part 1” – Mark Morey
Regenerative culture can be briefly defined as a mutually beneficial and enhancing way of being for individuals, community, and the earth. Rather than operating in a cycle of depletion, regenerative culture nourishes successive levels of diversity, creativity, compassion, and abundance that serves the well-being of humanity and nature alike.

Mark describes his experience with the Maine Fiddle Camp as an example of regenerative community.

“Come by the Hills” – Mark Morey and Friends (Performance at the Maine Fiddle Camp)
Mark and his friends perform a song that he learned from an Irish musician. This song is an invitation to discover for oneself the music and stories held within experiences of the land. It was written by W. Gordon Smith, a Scottish playwright, who set the lyrics to a traditional Irish song.

“Interview: Part 2” – Mark Morey
Music and community. Personal connection to the land and the elements can help restore culture …

“Calling of the Cows” – Knodel and Valencia (Forest)
At a fiddle retreat weekend back in the early ’90s, multi-instrumentalist and harp teacher to many of us in the San Francisco South Bay Area at the time, Chris Caswell played his Scottish bagpipes in a misty field. The cows gathered, drawn by the sound. We all listened to the music, cows and humans alike, and maybe the trees too. It seemed that a larger music wove all around us and wove us together.

Deb Knodel and I play here on a pair of large wire-strung harps.

“Interview: Part 3” – Mark Morey
Mark describes gathering songs and stories from experiences with nature, and delves into the power of music to heal and nourish culture.

“Hiraeth am Feirion (Longing for Meirionshire) – Ffynnon (Debatable Lands)
Hiraeth is, I believe, a longing for home and homecoming in the deepest sense: You know you’re part of the land, and you know that the land knows you.

Lyrics of this song in English:

There is a mountain in the sea which hides Meirioneth
I had sight of it once only before it broke my heart
Wind from the sea and sun from the mountain
Grey rocks instead of trees
And gulls instead of people

I will make a boat of the oak of love
And its mast, the wood of experience
And put longing in its sail to make it go

Wave to wave to my own land

“Interview: Part 4” – Mark Morey
Mark shares about Standing Rock, and ties in what is happening there with all we have spoken about in this show. Mark is committed to helping the Water Protectors at Standing Rock. To find out more about how you too can support the Water Protectors, connect with Mark Morey on his Facebook page, or check out the Standing Rock Action Network, also on Facebook, which is an initiative which he and another have spear-headed.

“Treorachadh-I Mourn For the Highlands” – Andy M. Stewart, Phil Cunningham, Manus Lunny (Fire in the Glen)