Tell me a Story

Nature Tells Stories - photo
Nature Tells Stories – photo by Jane Valencia

Here in the Northern Hemisphere we are still in the storytelling time of year. This is the time when nature-infused community and cultures have, like the plants, reached into the roots of themselves, sourcing from dreams, song, and wisdom for the most essential treasures within. From this deep-within place new and renewed pathways are envisioned and explored in a variety of ways. Nature tells and shows us that in spring, we’ll experience the tender roots and shoots of this dreaming, storyweaving time emerging into our daily life.

In the meantime though, we rest, wander, drink deeply of and poke and prod our stories. The stories we tell about our lives, the stories that guide us forward, the stories we tell each other. It’s how we humans have survived and thrived since our beginnings. Storytelling — whether in conversation, reflecting on the day, in the gratitude we offer, and the information we aim to convey — is as essential to our humanity as our ability to create and work with fire.

Now, more than ever, we need to tend to story. Our stories need to be reflective of what we truly want in our world. They need to bring us together rather than divide us, inspire hope rather than fear, look to seeking understanding, to pointing to directions to kind and strong ways of being in challenging times. And they need to offer heart, the possibility of healing, and forgiveness. They need to be as honest as we can make them. After all, we deserve nothing less: we are in this life and this beautiful world together.

And we need to have stories that are fun!

With that in mind I invite you all to the Vashon Wilderness Program‘s Tenth Annual Storytelling Festival. I’m honored to be a teller at this event, offering harp and story. Details below!

VWP Storytelling Festival 2017
In the heart of winter, hundreds of people from Vashon and beyond gather around our proverbial fire to share in the ancient and powerful tradition of oral storytelling.

In honor of their 10th year Anniversary,
their 10th Annual Storytelling Festival
will be offered to our community for FREE!

Join us – January 28th, 2017 @ 1pm

doors open at 12:30pm
this event typically sells out – early arrival strongly recommended

buy concessions, sign up for our 1-Minute Story-thon, and settle in with family & friends

Vashon Theater, Vashon Island

Packed with incredible stories for and by the community,

plus audience participation, including a 1-minute Story-thon, story improv games, and more.

Don’t miss this wonderful, family-friendly event!

A Wander into the Green Chapel

I first met this middle English poem, Sir Gawain and the Green Knight, when I was studying the History of the English Language and Medieval Literature in college. Soon after, I studied the medieval Welsh tales, The Mabinogi, and I was struck by the similarity of themes and motifs in the first part of the First Branch, Pwyll Pendeuic Dyfyd with some that appeared in Sir Gawain and the Green Knight.

The lord of the Otherworld/the Green Man, the Beheading Game, the Hunt, the intelligence of nature … images and snippets of tales from these two pieces wove themselves into my soul or found resonance in it. The original version of my children’s fantasy novel, Because of the Red Fox, was closely sourced from Sir Gawain and the Green Knight. In working on that first version, I longed to walk the terrain of Sir Gawain and the Green Knight, specific as it is in the poem, and discover for myself the Green Chapel (though I was not keen to meet up with the Green Knight and face a potential beheading!).

Decades later, poet Simon Armitage — who created a masterful poetic translation of Sir Gawain and the Green Knight — created a documentary about seeking the landscape of the poem. As I watch the last section, in which he enters the Green Chapel, I’m stunned to discover how the landscape closely resembles what I’d imagined for my original tale.

About the documentary:

“Poet Simon Armitage goes on the trail of one of the jewels in the crown of British poetry, Sir Gawain and the Green Knight, written about 600 years ago by an unknown author. The poem has got just about everything – it is an action-packed adventure, a ghost story, a steamy romance, a morality tale and the world’s first eco-poem. Armitage follows in the footsteps of the poem’s hero, Gawain, through some of Britain’s most beautiful and mystical landscapes and reveals why an absurd tale of a knight beheading a green giant is as relevant and compelling today as when it was written.”

Here is a link to some of my writings, stories, and art related to the Green Man and entering the realm of wild nature.

… and here is a snippet of Deb Knodel’s and my Forest show, which begins with a meeting with the Green Man.

Just thought you’d enjoy a ramble into the mystery of the turning of the year and the greenwood!

Radio Show – Episode 15 – A Wondrous and Spooky Samhain – October 30, 2016

Enjoy some musical fun and magic, as we celebrate the Celtic festival of Samhain (pronounced “SOW-wen”). If you love the Celtic harp, you’ll be pleased to hear a number of creative and lively harp pieces in today’s show.

12:01: Loreena McKennitt – Samain Night
12:05: Damh the Bard – Samhain Eve
12:15: Margot Krimmel and Laura Melling – Once Upon A Time
12:17: Spookytree – Abbots Bromley Horn Dance
12:20: Sileas – The Dusty Windowsill
12:28: Anne Roos – A Bruxa (The Witch)
12:33: Ruaidhri – Castlerigg
12:33: Two tales from Folk Tales from Wales
12:39: Solas – Am I Born to Die     **added to the 2019 edition of this show**
12:42: Cynthia Artish – Angry Birdz
12:45: Kristen Lawrence – Souling Song (Samhain Version)
12:54: Caravan of Thieves – Raise the Dead

Listen to the latest show on demand

Show15-180dpiFormat: “Track Title” – Artist (CD Title)

“Samain Night” – Loreena McKennitt (Parallel Dreams)
A beautiful piece with harp by the mistress of musical magic herself! Loreena’s music is perfect for this episode.

“Samhain Eve” – Damh the Bard (The Hills they are Hollow)
Another heartful piece by Damh the Bard that brings the listener into lore and magic of Samhain.

“Once Upon a Time” – Margot Krimmel & Laura Melling
A sweet, poetic expression of harp and storytelling. Laura’s lovely voice and words, and Margot’s masterful harp playing carry the listener into pure enchantment.

“Abbots Bromley Horn Dance” – Spookytree (On a Snowy Eve)
Abbots Bromley is a village in Staffordshire, England which has a yearly folk dance where six dancers wear reindeer ‘horns’ that date back to the 11th century, and may have been imported from Scandinavia. Historians speculate about the origins of the dance, but it seems likely to me that it was originally performed ceremonially, to encourage a successful hunt.

In this version, Deb and I play on nylon- and wire-strung harps. Listen for Deb’s “ghost” wire-strung harp at then end!

“The Dusty Windowsill” – Sileas (Harpbreakers)
Any inspired moment is an opportunity for creating a tune. Here Patsy Seddon (electric harp) and Mary MacMaster (wire-strung harp) find wondrous inspiration, taking a dusty windowsill to a realm beyond imagining.

Information about the tune, posted 14 years ago on The Session website:

The Dusty Windowsills was written by a man in Chicago, Illinois by the name of John Harling, it is NOT a traditional tune because the man is very much alive, he is in his 40s.

HOW THE TUNE GOT IT’S NAME: one day John was looking for something in his friend’s appartment basement, and this tune popped into his head. He looked everywhere for something to write with and on. He came across a window with a layer of dust on it, and started to write it down, so that later he would come back and write it down on a piece of paper. Isn’t that interesting…? Once again the man’s name is JOHN HARLING…I know all of this because I am his 15 year old daughter…

“A Bruxa (The Witch)” – Anne Roos (A Light in the Forest)
A beautiful piece by Anne. This is a witch I think I’d enjoy meeting in the greenwood!

Ruaidhri – Castlerigg (Celtic Landscapes) – music

Robin Gwyndaf of the Museum of Welsh Life (Welsh Folk Tales) – tale
This bilingual book narrates legends and traditions, placing them in physical locations in Wales. In fact, for the publication of this book, an illustrated map was commissioned in which Margaret D. Jones that depicts images from these tales in their locations.
Against the backdrop of “Castlerigg” I read aloud fairy folklore from “Aberdyfi, Gwynedd” and “Gilfach Fargoed, Mid Glamorgan.”

“Angry Birdz” – Cynthia Artish (Beyond all Telling)
A year before the famous game by the same name was published, Cynthia had a frustrating experience with a software company that fueled her to play her harp in a different way. This piece is a result of discovering that harp can effectively express her edgier emotions.
Cynthia put jute twine through all the strings to get the special effect that takes the harp out of the “pretty” realm.

Cynthia has sheet music available if you’re a harper interested in playing this piece. It’s a fun piece for harp groups to play as well! Visit her website to find out about it.

“Souling Song (Samhain Version)” – Kristen Lawrence  (A Broom with a View)
Kristen is an organist, composer, and singer who loves Halloween. In fact,her music-creation focuses on creating Halloween Carols(tm) that are fun and charming. This is one!

“Raise the Dead” – Caravan of Thieves (The Funhouse)

Caravan of Thieves is a gypsy-swing folk band based in Connecticut. Head over to Youtube to watch the video of this song. Discussing the video, Fuzz Sangiovanni (who with his wife Carrie Sangiovanni are the core of the group) told Spinner.com:

“We like writing songs about ghosts and afterlife, but this was the first one that had a big communal sing-along, clap-along feel to it. It needed to be, since it’s about throwing a big party for all the deceased and honoring them for their life’s achievements. We perform it live this way, get off stage, unplug completely, get the crowd to surround us, and stomp, clap and sing along. We recorded it this way for the album and made a video with the same feel, in a really old theater and cemetery.”

What a wonderful concept: in the coming week or two, let’s all throw a party for the dead and celebrate them! Thank you to Mark Morey for introducing me to this song and this band. (By the way, Mark is a special guest on our next show, “Ancestral Land.”